Showing posts with label Sites. Show all posts
Showing posts with label Sites. Show all posts

Tuesday, December 13, 2011

Research Links

Over to the right side of the screen, you will see a new feature, this list:

Douglass and Women Research Resources
(these are not linked -- you have to go over to the side bar for the link!)
  • "A Partnership in the Abolition Movement," University of Rochester Library Bulletin
  • Amy Kirby Papers, Clements Library, University of Michigan
  • Anti-Slavery Literature Project
  • Black Abolitionist Archive
  • Boston Public Library Antislavery Collection
  • Dccumenting the American South
  • Epitaph, Friends of Mount Hope (cemetery) Newsletter
  • Frederick Douglass National Historic Site (Cedar Hill), Anacostia, D.C.
  • Frederick Douglass National Historic Site, Virtual Museum Exhibit
  • Frederick Douglass Papers, Library of Congress, American Memory
  • Frederick Douglass Project, University of Rochester
  • Frederick Douglass, Maryland State Archives
  • Garrison Family Papers, Sophia Smith Collection
  • Howard Coles Collection, Rochester Museum and Science Center
  • Lynn (Mass.) Museum and Historical Society
  • Porter Family Papers, University of Rochester
  • Post Family Papers, University of Rochester
  • Rochester History (journal) Index
  • Rochester Ladies' Anti-Slavery Society Papers, Clements Library, University of Michigan
  • Samuel J. May Antislavery Collection
  • Women's Rights National Historic Park, Seneca Falls
  • WorldCat (global library catalog)

The list links to various websites relating to Frederick Douglass and Women that you might find interesting for yourself or, if you are a teacher, your students. Some are finding aids for archival collections, which describe the collection and sometimes tell you specific items that are in the collection. Others take you to websites for museums and historic sites connected to Douglass. Some will take you to actual sources, both journal articles and scanned images of historic documents.

Many people are interested in the last because seeing the document, the thing written in the person's hand, is the real thrill of history research. If you want to see documents written by and to Douglass, take a look at Frederick Douglass Papers, Library of Congress, American Memory; Frederick Douglass Project, University of Rochester; and Boston Public Library Antislavery Collection. These are the ones that I use the most online. The Library of Congress site contains the bulk of Douglass's papers, preserved by his second wife, Helen [Pitts] Douglass at Cedar Hill. The project at the University of Rochester has images of letters and some transcriptions of the correspondence to and from Frederick Douglass that are contained in the Post and Porter Family Papers. The Boston Public Library collection has, as of now, the Weston Sisters Papers and good chunks of the William Lloyd Garrison Papers, as well as some Samuel May Papers. Their site is very sophisticated, being more recent and plugged into archive.org. Not only can you see scanned images, but they have included summaries of the letters (to varying degrees of quality) and the letters are indexed for key words.

In fact, if you want a night of history nerd fun, go to the BPL collection and read letters to or from Richard D. Webb, John B. Estlin, and Maria Weston Chapman. They were the living embodiment of Alice Roosevelt Longworth's (often misattributed to the equally scathing Dorothy Parker) recommendation, "if you don't have anything nice to say, come sit next to me."

The National Parks Service at Cedar Hill also has some terrific images of Douglass, his family, the objects in the house, historic images of the house, and a virtual tour of the house.

I will gradually add to the list; but, if you know of any other online resources, feel free to add them in the comments section!

Tuesday, November 8, 2011

Douglass in Belfast

Last weekend, I went on a long weekend to Belfast and points further north. Douglass spent a little time in Belfast during his tour of the British Isles between 1845 and 1847, and had a contingent of support from women in the city when he and the Garrisonians based in Boston had a parting of the ways.

Today, Douglass appears in the scarred Belfast landscape in a mural:


Twice, even, as you can see the younger Douglass up to the left of the older man.  The rest of the mural has interesting references to black history.

Here, on the left side of the mural, you can see slave ships, Sojourner Truth, Harriet Tubman, Rosa Parks, Barack Obama (who, incidentally, is very popular in the Republic of Ireland) and Rosie the Riveter, who seems like she might be mixed race or light skinned:


On the right side of the mural, you see references to Martin Luther King, Angela Davis, Nelson Mandela and South African apartheid, Muhammad Ali, and Bob Marley.


You can also see images of the Mothers of the Disappeared, Indian women, what appears to be one of the Grimke Sisters, and Daniel O'Connell. I don't instantly recognize the other figures, and you also can see images from recent Northern Irish history interspersed through the mural.

Daniel O'Connell is the key to understanding the connection between African American history and this mural in Belfast. This mural is one of a series of murals in both Catholic and Protestant neighborhoods, which are separated by a tall wall. The murals on the Protestant side reinforced their connection to the British and participation in the two world wars in the 20th century. The murals on the Catholic side referenced various global freedom and human rights struggles, particularly those against racism. The Douglass mural is on the Catholic side.

Initially, I wondered what a mural featuring Frederick Douglass would be doing in Northern Ireland on the Catholic side. Douglass himself did not mix with many Catholics. His supporters in Ireland tended to be Protestant, usually Quakers. Also, his visit coincided with the beginning of the Great Famine and took place during the Repeal movement, led by O'Connell, which intended to end the Act of Union that made Ireland part of the United Kingdom. In other words, the Irish as a whole had more immediate concerns than ending slavery in the U.S.

During Douglass's visit, those involved with the Repeal movement drew direct connections between American slaves and Ireland under British rule and between African Americans and Irish Catholics. Their positions relative to their respective governments and societies were analogous, according to this argument.

In this mural, you see that argument expanded. Douglass is central but connected to a broader struggle for rights for oppressed people of color. The artists trace this history from the origins of the slave trade through resistance to slavery in the U.S., the U.S. Civil Rights movement, resistance to apartheid in South Africa, opposition to South American dictatorships, and even -- with Muhammad Ali -- resistance to wars of imperialism in Southeast Asia, and all the way to the election of the first black American president. I think the Indian women may have something to do with Indian independence (although, note the absence of Gandhi himself), and Rosie, despite her connection with World War II, may suggest women's rights.

This mural, then, had it appeared in the U.S., might seem like a tribute to great black figures in history, something for Black History Month. Here, in Belfast, among the Catholic murals, a few blocks from the offices of Sinn Fein, and right next to a former checkpoint between the Catholic and Protestant neighborhoods -- Douglass himself looks toward the checkpoint -- it seems to be a statement of ongoing resistance.

Tuesday, July 5, 2011

Return to Mount Hope

I was wrong. It's definitely not the first time. Sadly, it will not be the last.

Today I went to the Rochester Museum and Science Center library to look in the Howard W. Coles collection. Coles was a resident fellow at the Museum before his death in 1996, so his extensive papers relating to his research into Rochester's African American history was donated to its library by his daughter and granddaughter in 1998. It's an interesting collection, and includes a few items related to Frederick Douglass.

That,  however, is not the point, nor what I was wrong about. You see, while I was waiting for the librarian to retrieve the papers, I started reviewing some of my notes and came across those that I took about the interments in Mount Hope Cemetery. Suddenly, some of the bits that I had transcribed without really thinking about them at the time, all came together and made sense.

Remember the Porter mausoleum? Wrong Porters. The Porters mouldering within the mausoleum were not the Porters in which I was interested and, most likely, did not keep the bones of little Annie Douglass company.

Here's a map:
I hope you can embiggen it. Down there at the bottom to the right you can find the Douglass graves. The Porter mausoleum stands out prominently in the section next to it. If you are looking for the Douglass graves, and you know that Annie Douglass had been buried with the Porters, then naturally, you assume that the Porter mausoleum is the place. The lack of names other than "Porter" does not disabuse you of that assumption.

That section, however,  is Section S. In the interment records, the Porters whose letters I had been reading and who figure most prominently in the Douglass story are actually buried in Section G -- or so I discovered upon my browse through my notes. Section G sits on a hill, high above a gunky green pond. So, I drove up there and started to wander about. Their graves are in spaces 65-70, not exactly helpful information when there are no clearly visible numbers on most of the plots. Nevertheless, I soldiered on because I simply had to see the right graves. As Digger told me, you can learn a lot from the graves, if you know how to read them. Not that I know, but even the wholly ignorant can pick up something from the stones and arrangement of the graves. Just wait until I get down to writing about the Douglass gravestones.

Fortunately, I didn't have to wander too far before I saw this:
The name "Farley" stood out on the tall monument.  The Porters and the Farleys were intermarried in one generation (not as oddly as the Posts, however, but that's another story), so I knew I was close. Sure enough, the graves on the far side of the monument are the Porters:
Samuel Porter was the oldest of this clan. He lived into his nineties, and the interment record says that he died of "old age." 
 His second (or was it his third?) wife was Isabella Porter. She and Samuel's daughter, Almira, ran a girls' school in Rochester:
 Samuel's son was Samuel D.  Porter, to whom Douglass gravitated as he became more invested in the use of party politics to end slavery.  Porter was also one of the people who has actual documentation recording his assistance to fugitive slaves. In 1851, when three men appeared at Douglass's doorstep fleeing the law after the Christiana Riot, Douglass turned to Porter for help in getting them safe passage to Canada on the actual railroad. Five years later, Samuel May and Jermain Loguen turned to Porter, asking him to provide a better stop than their own in Syracuse.

His wife, however, was one of the two women who will probably become prominent in the book. Susan Farley Porter was president of the Rochester Ladies' Anti-Slavery Society of which Julia Griffiths was the secretary. The RLASS asked Frederick Douglass to deliver his "Fourth of July" speech to one of their meetings. When I go to Michigan to see their papers, I will have a better idea of their activities (I hope!) and their relationship with Douglass.
Maria G. Porter, Samuel D. Porter's sister, was a governess and a boarding house keeper (as best as I can tell). She was also the treasurer of the Rochester Ladies' Anti-Slavery Society. She may have been the person who provided Julia Griffiths with a "respectable" place to live when Griffiths was accused of causing "trouble" in the Douglass household, although I'm not yet certain. I have to track down a primary source on that one. In any case, here lies Maria G. Porter:


From what I understand -- again, I need a primary source on this -- Annie Douglass was interred in the Porter family plot. A 2003 issue of the Mount Hope newsletter, the Epitaph, says she is buried with the Douglasses, but the cemetery researchers told me in answer to a reference e-mail request that she was buried with the Porters. Since Douglass and Samuel D. Porter were such close associates, since Susan and Maria were also closely allied with Douglass, and since the Porters in the mausoleum are not among the abolitionist Porters, then Annie was probably buried here.

So, what does this all tell me? I don't know. This is all a footnote of a footnote, which is what this blog is for.

Monday, June 20, 2011

The Porters

Last week I spent most of my time in the Porter Family Papers in the Special Collections of the Rush Rhees Library at the University of Rochester. Much like the Garrison Family Papers at the Sophia Smith Collection, when the title is "Family Papers" they do mean "family," as in "no matter what else the family was involved in, all you are going to get out of these papers is family news." They tell you when babies are born, when babies died, who got married, who visits who, who wants who to visit, what the travel plans for visiting are, who is sick and all of the specific symptoms (there is a particularly grisly description of an operation on Samuel D. Porter's arm in one letter), putting up preserves and pickles, and the details of how various people died. Great stuff for everything but my purposes. You would never guess that this was a family at the center of anti-slavery activity in Rochester or that two of the women were officers in the Rochester Ladies' Anti-slavery Society. That is, perhaps, telling unto itself.

After spending all of my week crawling through their private lives, I thought I should honor them by paying my respects to their bones in Mount Hope Cemetery. Saturday was a lovely day for traipsing about amongst dead people; and since my sojourn in the Rochester Public Library had reached a crossroads, and the crossroads indicated that I would have to delve into the type of research that would lead to a whole other project, and since the hour was late in the afternoon,  and since I was cold and hungry, I decided to take the research into the field (or graveyard). Often, you can find interesting information in the graveyard...or so I told myself in order to not feel quite so guilty for leaving the library before it closed.

The Porter mausoleum lies not too far from the Douglass family plot, where Frederick, Anna,  and Helen are all buried. I've got some interesting information on Anna's burial, but that will have to wait for another post since this one is on the Porters. Meanwhile, this is the Porter mausoleum:


It resembles the sort of mausoleum that you find in Louisiana along the lower Mississippi in places like New Orleans. I, in fact, have ancestors and relatives buried in such structures. This type here differs in a few respects. The Louisiana sort resembles a beehive with each body sliding into a discrete compartment. When you inter a person, you open only the space for that person's coffin and slide it in. The design of the structure acts like a giant oven, especially in the Louisiana heat, and speeds decomposition. After a period of time -- a year and a day, at one point in history -- you can reuse the space by opening it up, pushing the remains of the previous occupant to the back, and sliding in another body. Modern mortuary practices and coffin construction have interfered with this process, and have created a much messier process of reusing a space, especially in the decomposition of the bodies and disposal of the coffin.

The sort of crypt like the Porters' is an open room. When a person dies, you open the door, bring in the deceased, and lay the body on a shelf, a bit like in Romeo and Juliet, but nastier and probably smellier to our modern sensibilities. You continue to do that, moving older remains to make room for newer ones. At one point in history, bodies were not placed in coffins, by lain down in shrouds, unembalmed as if the person were asleep.

Douglass,  incidentally, would have been embalmed since his body travelled from D.C. to Rochester and was present at funerals in both places. What the Porters did I do not know.

I do know that you don't see this on many mausoleums in Louisiana:

Windows. Given that there is no visible evidence of hinges to suggest a hatch or door, I'm going to guess that this was a window, probably stained glass. Whatever was there, however, has since disappeared and left an opening that the groundskeepers have covered with plywood. Any kid who has build a clubhouse out of plywood in their back yard knows what happens to plywood when exposed to the elements of sun, rain, and, in some climates, snow. It buckles:


Yes, you see cracks about the edges of the wood. What you don't see are the big, fat, buzzing flies swarming about those cracks; and the combination of the cracks and flies made me curious as to what was inside. "I wonder if I could peep in around the cracks and see anything," I thought. Then, I thought, "Of course, I don't wonder enough to actually go try to peep around the cracks and see anything." The second I had that last thought, I actually did wonder enough to go try to peep around the cracks, but I stopped myself. I stopped myself not because the wood might pop off and I would be accused of desecrating a grave, nor because the groundskeeper was nearby, nor because of any health or legal or even ethical hazard. No, I stopped myself because, if I did see something, I could never ever un-see it. I wasn't prepared to not un-see something.

You may well wonder who the Porters were and whose remains lie within that crypt? The Porters, intermarried with the Farleys and along with the Posts, were at the center of abolitionism in Rochester and supported Douglass as he broke away from the abolitionist circle in Boston. Samuel D. Porter was a businessman, a Liberty Party man, and aided fugitive slaves (I'm investigating just how, since the Douglass biographies seem to attempt to marry myth with the actual evidence). His wife, Susan Farley Porter, was the president of the Rochester Ladies' Anti-Slavery Society; and his sister,  Maria G. Porter was the Rochester Ladies' Anti-Slavery Society treasurer. Their activities in the society included rasing funds that they used to help fugitives, as well. I have to go to the Clements Library in Michigan to read those papers (a certain historian mis-cited them as being in Rochester, thus I must alter my summer plans, which will also allow me to drop into Oberlin en route to see what I can learn about Rosetta Douglass's time there).
Little Annie Douglass,  who died at the age of ten while her father was in England, was also interred in the Porter mausoleum. When she died at her home only a few blocks from the cemetery, the Douglasses had not yet purchased their own burial plot, so she was placed here in the Porters'. As far as the research staff at Mount Hope knows, she was never moved, although the Douglass family monument includes her name and dates.

But, I did not begin this post in order to indulge my ghoulish tendencies. I intended to write about the dry well of my research and what that means. Since this is only a blog, and blog posts by nature should be short, I shall save that for another post. Suffice to say for the moment is that many historians and Douglass biographers have cited the Porter Family Papers, and a single digit number of letters in particular, as containing a wealth of information about their involvement in aiding fugitive slaves. I'm not saying that the Porters did not aid fugitives. That is clearly there in the evidence. I am saying that the generalizations extrapolated from that single digit number of letters do not necessarily reflect the actual evidence in those letters, or at least represent only a cursory reading of those letters.

I think those questionable -- not wrong, just questionable -- generalizations have something to do with the way that people attempt to make "common knowledge" and evidence fit together, or to use scraps of evidence to support that "common knowledge" without questioning the creation of that "common knowledge." I'm referring specifically to such things as aid to fugitives or the Underground Railroad myths, but it can extend to a whole host of information about social history, women's history, Native American history, and African American history. In fact,  I've discovered that the most important question I ask myself is, "how do we know what we think we know?" In research, that may be the only real question, or the one that guides all others.

Sunday, June 19, 2011

Honeoye, part 2

I ended up going back to Honeoye. Saturday morning, I went to the Rochester Public Library's Local History Room to see what they might have that will help me flesh out the context of Douglass family in Rochester. I'm particularly interested in the African-American community in that area since it works into some of my understanding of Anna and her own sense of community. Sadly, very little scholarly work has been done on African-Americans in Rochester. Happily (especially for her prospects as a historian), a graduate student at University of Rochester,  Monique Patenaude, is working on this subject.

As has been happening all week, I was digging a dry well. There are patterns to the dryness that I will write about later, so dry wells are not a loss. They are, in fact, quite valuable in guiding the way to a more accurate understanding of the subject; but, as I just said,more on that later. In the process of digging this well, I came across one of those WPA Writers' Project guides, this one concerning Rochester and its vicinity. These guides are fantastic in showing historic preservation and routes of travel in the 1930s; and this one included a "tour" that brought the traveller through Honeoye. The "tour" through Honeoye mentioned landmarks: a statue to Major General John Sullivan of Sullivan's Expedition (in)fame, a historical marker for the home of Gideon Pitts, and a historical marker for the home of Captain Peter Pitts. Peter Pitts was one of the earliest settlers of Honeoye and the father of Gideon Pitts; and Gideon Pitts was the father of Helen Pitts, the second Mrs. Douglass. (I may be missing a generation in there. My copy of the biography of Helen Pitts is, unfortunately, not on  hand.)
"Maybe they are still there," I thought. I also wondered, "How could I have missed a whole statue?" Of course, missing a statue may have had something to do with the fact that I had probably not seen the entire town since hunger,  exhaustion, and traffic from road construction made me  conclude that I had seen everything when, as it turned out, I was only about half to three-quarters of the way through the village. So,  after leaving the public library,  and after making a pass through Mount Hope Cemetery to see the Porter mausoleum (I thought it only respectful after having trawled through their family letters all week -- plus,  I'm a bit of a ghoul), I turned my green machine toward Honeoye.

Now alert and also more familiar with the route than I had been two days earlier, I did not miss this sign as I entered the village:

The marker to Peter Pitts's home.

I followed the same path through the village as I had before,  but did not let traffic deter me. Beyond the road work, the street went uphill and past this house:


What should be standing in front of this house? This marker!:

"Pitts Mansion. Built 1821 by Gideon Pitts, son of Capt. Peter Pitts, pioneer settler in 1789." Also, this was the birthplace and childhood home of Helen Pitts. Whether or not the house is the actual house,  I do not know and someone more versed in architectural history, especially the architectural history of western New York, or the local history of Honeoye could probably tell me more.

I did not find the statue of John Sullivan. I'm not sure if that is good or bad. On the one hand,  Sullivan's Expedition was a nasty, genocidal bit of American history, and a statue celebrating him is not the best idea. On the other hand, with the proper signage, perhaps that nasty, genocidal bit of American history and the reasons certain people  wanted to celebrate it might be addressed. Then, my sarcasm kicks in as I think about how well such attempts have gone in places like Mystic, Connecticut, and Deerfield, Massachusetts, when the older, celebratory statues and signs met with effort to update those sites to include more complicated and current knowledge of the violent historical events that occurred there. Perhaps that is what separates heritage from history: heritage is a celebration of a particular person's or group's past, while history is an attempt to understand the intricate interactions and points of view of the past, without too much identification with any one person or group.

In any case, I find something poetic, or ironic, in the fact that Peter Pitts participated in the oppression of one group of non-white people while his granddaughter challenged the oppression of another group of non-white people. He made war, and she quite literally made love.


Saturday, June 18, 2011

Home of Jermain Loguen

In Savannah, I read many letters from Lewis Douglass, Frederick's oldest son, to Amelia Loguen, the woman who became Lewis's wife. Early in their courtship, Amelia lived in the home of her father, Jermain, on Genesee street at the corner of Pine, in Syracuse, New York. Since I went to Syracuse after I left Savannah (with a short pause in Silver Spring in between), I decided to see where all of these letters had gone.

Jermain Loguen was not just anybody in Syracuse. He was a fugitive slave who had become a minister and a leader of the black community in the city. Unlike many (and I'd venture to say most) other alleged Underground Railroad sites, his home is actually quite well documented as a haven for people escaping slavery. In fact, just the other day I read a letter that noted it as such.

Since this is central New York, and since the Underground Railroad is huge heritage tourism business, the location of his home actually has a marker:


That is him, incidentally, in the upper left corner of the image.

He is also memorialized downtown in the monument to the Jerry Rescue:
You can't really see him in this image, but he is the figure on the far side of the fugitive slave, Jerry Henry, in the center.  You know Jerry Henry is the fugitive because he is shirtless and has ripped pants. That's the uniform.

Seriously, to make a long and involved story about race and ethnicity and politics and so forth short, Jerry was a fugitive who was being returned to slavery under the Fugitive Slave Act and Loguen pretty led a large group of people who busted him out of jail, where he awaited the slave catchers, and helped him to Canada. Loguen had to take a trip there, too, for his part in the bust.

The canal, incidentally, ran behind this statue.

Getting back to the home. Loguen's home sat on the corner of Genessee and Pine, the second dot from the right on the map below:

Do you know what is there now, at the corner of Pine and Genesee, beside this sign?

This:


Thursday, June 16, 2011

Honeoye, New York

It is late, and I have been in the archive all day, drilling a dry research well. Fortunately, there is a pattern to what I am not finding.

After a disappointing day, I decided to go out to see where Helen Pitts, the second Mrs. Frederick Douglass, grew up. The drive took me off of the interstate (imagine!) and down winding highways to Honeoye.

 This is essentially the whole town, which is a hamlet, actually, complete with a sheriff ensuring that you observe the speed limit. He's the white car on the right in the distance.
 I do know that the Pitts lived along this street somewhere, but little evidence is left of that period of time in this area. So many layers of time can erode small places sometimes.

If you keep going straight down the street, you eventually go up a hill where you can find a scenic overlook. This is the view from there:

I imagine there were fewer trees then, as well.

This is a lovely, small, quiet place; but I imagine for a young woman in the nineteenth century, one with a burning to end slavery, to do good in the world, to do something at all in the world, it was much too small and much too quiet. She went to college at Mt. Holyoke, also a lovely, small quiet place.


Then, in the Civil War, she went south, into the Confederacy, to teach freedpeople in Norfolk, Virginia. After the war, she ended up in Washington, D.C. working on the women's journal The Alpha and in the Recorder of Deeds office where her boss was Frederick Douglass.  She now rests in Mt. Hope Cemetery, next to him and Anna Murray, the first Mrs. Frederick Douglass,  and not too very far from where I am researching.